KONNICHIWA!
A newsletter from Oki Sato, general producer.
News on the Japan Pavilion’s progress, and his thoughts for the day.
Exhibition
Whoosh...
Whoosh...
“What is the length on the tail of the light?”
“It’s 600mm!”
“Could you try stretching it to 700mm?”
“Sure. Incoming 700mm!”
(Wow! It’s really now stretched by 100mm...!)
“Can you soften the outline around the head of the light more?”
“Absolutely. Softer outline incoming!”
(It’s significantly softer now!)
“Can you slow down the movement of the light midway, more syrupy?”
“Syrupy?”
“Yeah, syrupy.”
(...oh?)
Endless adjustments to the shape and movement of the light continue. I truly admire the dedication of the staff who toiled tirelessly, working day and night to prepare for today’s testing. Thank you very much!
Exhibition
Quest for the Perfect Lighting Fixtures.
Today, we’re on a quest for the perfect lighting fixtures to make our exhibition rooms pop in the Japan Pavilion. The specific criteria, including size, brightness, warmth, and the softness of light contours, are being meticulously determined for each space.
We find ourselves pondering over two distinct lighting scenarios: Is it preferable to have strong light illuminating a dark-colored wall, or would a subtler glow on a light-colored wall be more fitting?
Additionally, we contemplate the warmth factor. Is it more inviting to have warm-colored light grace a cold-colored wall, or does the juxtaposition of cold-colored light against a warm-colored wall create a more harmonious ambiance?
As I delve into these considerations, contemplating the interplay of light and space, my thoughts gradually become as elusive as the mist settling over a tranquil landscape.
Exhibition
Quest for the Perfect Lighting Fixtures.
Today, we’re on a quest for the perfect lighting fixtures to make our exhibition rooms pop in the Japan Pavilion. The specific criteria, including size, brightness, warmth, and the softness of light contours, are being meticulously determined for each space.
We find ourselves pondering over two distinct lighting scenarios: Is it preferable to have strong light illuminating a dark-colored wall, or would a subtler glow on a light-colored wall be more fitting?
Additionally, we contemplate the warmth factor. Is it more inviting to have warm-colored light grace a cold-colored wall, or does the juxtaposition of cold-colored light against a warm-colored wall create a more harmonious ambiance?
As I delve into these considerations, contemplating the interplay of light and space, my thoughts gradually become as elusive as the mist settling over a tranquil landscape.
Exhibition
Whoosh...
Whoosh...
“What is the length on the tail of the light?”
“It’s 600mm!”
“Could you try stretching it to 700mm?”
“Sure. Incoming 700mm!”
(Wow! It’s really now stretched by 100mm...!)
“Can you soften the outline around the head of the light more?”
“Absolutely. Softer outline incoming!”
(It’s significantly softer now!)
“Can you slow down the movement of the light midway, more syrupy?”
“Syrupy?”
“Yeah, syrupy.”
(...oh?)
Endless adjustments to the shape and movement of the light continue. I truly admire the dedication of the staff who toiled tirelessly, working day and night to prepare for today’s testing. Thank you very much!