- Locale
- ja
- en
KONNICHIWA!
A newsletter from Oki Sato, general producer.
News on the Japan Pavilion’s progress, and his thoughts for the day.
New
This and That
Same White Shirt, Same Black Pants, and Jacket.
This simple wardrobe choice has spared me the daily dilemma of what to wear each morning for almost two decades. This habit not only minimizes the burden on my brain but also allocates all my mental space to the realm of design.
Garments follow a systematic routine, always starting from the left and replenished on the right after a trip to the dry cleaners. This meticulous cycle ensures even wear and tear, maintaining the longevity of my wardrobe. In this manner, my clothes gracefully follow a cycle.
Ugh, thanks to the Japan Pavilion, I find myself unexpectedly pondering the nuances of seemingly insignificant cycles around me...
This and That
Caring About the Details.
In our quest for perfection, drawings and computer renders alone don’t always suffice. That’s why we rely on spatial models, meticulously examining every detail.
Our process is a constant cycle―create a model, test its limits, refine it, then start anew. This iterative journey is both methodical and crucial. With each reincarnation of the model, the vision of the Japan Pavilion crystallizes. The resolution of our gaze upon the model progressively sharpens, revealing new challenges at every turn.
Yet, amidst this pursuit, the clock relentlessly ticks away. There’s so much left to do, and time is a fleeting companion... *sweats*
This and That
Progress, Day by Day.
Regular meetings, involving 20 to 30 participants, are conducted several times a month, each focusing on diverse themes such as architecture, operations, exhibitions, virtual experiences, biogas plants, uniforms, and public relations. On a separate occasion, Mr. Irobe, Mr. Watanabe, and I engaged in a lengthy discussion while examining a model.
The discourse deviated from the usual “linear” approach of addressing matters in terms of cost-effectiveness, safety, and reliability. Instead, it took on a more spontaneous, “curvilinear” form, with a free exchange of opinions centered around making the exhibition more enjoyable, understandable, and exciting.
I find these moments particularly enjoyable. As enjoyable as they are, another regular meeting awaits us in just a few days... *sweats*
This and That
Full-Scale Mockups
Full-scale mockups crafted from genuine materials are meticulously examined and discussed with the architectural team, covering colors, finishes, and other intricate details.
A heartfelt thank you to everyone at Nikken Sekkei, handling the design, and Shimizu Corporation, leading the construction!
Working alongside these dedicated individuals brings me immense joy, even though we still have a long journey ahead!
This and That
Stepping into a Cab at Shin-Osaka Station...
“Please take me to the Expo Osaka site on Yumeshima.”
“What?”
“To the Expo site, please.”
“Expo?”
“Yes.”
“The Expo isn’t open yet.”
“Yes, I know that, but I need to go.”
“I’m saying the Expo hasn’t started yet.”
Conversely, if the Expo had already commenced, we’d be in a bind. After three rounds of this exchange, I finally moved forward and reached the site. The current view reveals a vague outline of the Japan Pavilion, or maybe not.
It’s hard to articulate, but the foundation seems oddly charming. This might be the first time in my life that I’ve found a foundation to be cute. Perhaps I’m feeling a bit fatigued these days...
This and That
Stepping into a Cab at Shin-Osaka Station...
“Please take me to the Expo Osaka site on Yumeshima.”
“What?”
“To the Expo site, please.”
“Expo?”
“Yes.”
“The Expo isn’t open yet.”
“Yes, I know that, but I need to go.”
“I’m saying the Expo hasn’t started yet.”
Conversely, if the Expo had already commenced, we’d be in a bind. After three rounds of this exchange, I finally moved forward and reached the site. The current view reveals a vague outline of the Japan Pavilion, or maybe not.
It’s hard to articulate, but the foundation seems oddly charming. This might be the first time in my life that I’ve found a foundation to be cute. Perhaps I’m feeling a bit fatigued these days...
This and That
Full-Scale Mockups
Full-scale mockups crafted from genuine materials are meticulously examined and discussed with the architectural team, covering colors, finishes, and other intricate details.
A heartfelt thank you to everyone at Nikken Sekkei, handling the design, and Shimizu Corporation, leading the construction!
Working alongside these dedicated individuals brings me immense joy, even though we still have a long journey ahead!
This and That
Progress, Day by Day.
Regular meetings, involving 20 to 30 participants, are conducted several times a month, each focusing on diverse themes such as architecture, operations, exhibitions, virtual experiences, biogas plants, uniforms, and public relations. On a separate occasion, Mr. Irobe, Mr. Watanabe, and I engaged in a lengthy discussion while examining a model.
The discourse deviated from the usual “linear” approach of addressing matters in terms of cost-effectiveness, safety, and reliability. Instead, it took on a more spontaneous, “curvilinear” form, with a free exchange of opinions centered around making the exhibition more enjoyable, understandable, and exciting.
I find these moments particularly enjoyable. As enjoyable as they are, another regular meeting awaits us in just a few days... *sweats*
This and That
Caring About the Details.
In our quest for perfection, drawings and computer renders alone don’t always suffice. That’s why we rely on spatial models, meticulously examining every detail.
Our process is a constant cycle―create a model, test its limits, refine it, then start anew. This iterative journey is both methodical and crucial. With each reincarnation of the model, the vision of the Japan Pavilion crystallizes. The resolution of our gaze upon the model progressively sharpens, revealing new challenges at every turn.
Yet, amidst this pursuit, the clock relentlessly ticks away. There’s so much left to do, and time is a fleeting companion... *sweats*
New
This and That
Same White Shirt, Same Black Pants, and Jacket.
This simple wardrobe choice has spared me the daily dilemma of what to wear each morning for almost two decades. This habit not only minimizes the burden on my brain but also allocates all my mental space to the realm of design.
Garments follow a systematic routine, always starting from the left and replenished on the right after a trip to the dry cleaners. This meticulous cycle ensures even wear and tear, maintaining the longevity of my wardrobe. In this manner, my clothes gracefully follow a cycle.
Ugh, thanks to the Japan Pavilion, I find myself unexpectedly pondering the nuances of seemingly insignificant cycles around me...