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KONNICHIWA!
A newsletter from Oki Sato, general producer.
News on the Japan Pavilion’s progress, and his thoughts for the day.
New
This and That
This Is My First Business Trip to Paris in Months.
As I’ve been moving around the city for meetings, I’ve noticed preparations for the upcoming Olympic Games in various places.There are spectator seats set up on bridges spanning the Seine River, and Place de la Concorde has been converted into a stadium.
With the Olympics opening in just over a month, Paris itself is transforming into an Olympic venue, and it feels quite magical.
Thinking back to my involvement in setting up the Cauldron for the Tokyo Olympics three years ago, I can’t believe how quickly time has flown. I’m eagerly anticipating seeing the new torch stand design.
Thoughts
Welcome to the Third Issue of Monthly JP Pavilion!
Mr. Yanagihara’s insights on Japanese food and fermentation was fascinating.
He talked about how Japanese cuisine values the original taste of ingredients, using “subtraction” to create complexity and depth, as opposed to the Western approach of “addition.” This philosophy of balance and harmony, rather than impact, is also seen in Japanese design and manufacturing.
As we plan the Japan Pavilion, I keep reminding myself not to overload it with information or lose the essential message while striving to make it easily understandable and impactful. Just a heads-up: don’t read this article on an empty stomach. The photos are seriously mouth-watering!
Exhibition
Unveiling the Mystery of the Intriguing Poles.
Fascinatingly, long, thin poles are meticulously lined up on the framework, shrouded in an air of mystery.
With delicate hands, we peel away the packing material, revealing a disc-like object perched on each pole.
Viewed from below, they look like this.
Directly beneath the disk lies a metal fitting, facilitating angle adjustments, while adjacent cables enable individual electrical control.
It’s quite the job to adjust each cable just right, but thinking about having to deal with nearly twenty times as many for the actual exhibition? Whew, talk about sweating over it!
Exhibition
A Crowd of Slowly Flowing Plastic Bottles.
A crowd of plastic bottles moves slowly along a conveyor belt, capturing the attention of everyone involved in the project.
While the plastic bottles are certainly eye-catching, the real star here is the conveyor belt tirelessly working beneath them.
This demonstration is all about testing the belt’s performance under the weight of the bottles, and so far, it’s passing with flying colors.
We eagerly anticipate what else will circulate at the show!
(Hint: Unfortunately, it won’t be sushi.)
Thoughts
Welcome to the Second Issue of Our Monthly Magazine, Monthly JP Pavilion!
This month’s edition is packed with engaging content, but let’s dive into the excitement surrounding the unveiling of the JUNKAN Museum...a moment I’ve been eagerly anticipating.
Now, let’s take a moment to appreciate the enchanting rear view of Suiryu, the water dragon, captured in our latest image.
Isn't it captivating?
It’s funny how seeing Suiryu’s back view brought back memories of the time I was stunned by the cover on the access door of the Merlion in Singapore.
Beyond the artwork itself, I find the subtle incline of the platform where Suiryu resides quite appealing.
If it were flat, we wouldn't get that same sense of “circulation” and “pulse” that are central to our exhibit, would we?
Moreover, there’s a noticeable fondness for Suiryu evident in Ms. Komatsu’s choice to address the dragon with the honorific “san.”
Yet, it’s amusing to note that when affectionately referring to Suiryu as MYAKU-MYAKU, she opts for the more casual “kun” honorific (laughs).
This and That
Same White Shirt, Same Black Pants, and Jacket.
This simple wardrobe choice has spared me the daily dilemma of what to wear each morning for almost two decades. This habit not only minimizes the burden on my brain but also allocates all my mental space to the realm of design.
Garments follow a systematic routine, always starting from the left and replenished on the right after a trip to the dry cleaners. This meticulous cycle ensures even wear and tear, maintaining the longevity of my wardrobe. In this manner, my clothes gracefully follow a cycle.
Ugh, thanks to the Japan Pavilion, I find myself unexpectedly pondering the nuances of seemingly insignificant cycles around me...
This and That
Caring About the Details.
In our quest for perfection, drawings and computer renders alone don’t always suffice. That’s why we rely on spatial models, meticulously examining every detail.
Our process is a constant cycle―create a model, test its limits, refine it, then start anew. This iterative journey is both methodical and crucial. With each reincarnation of the model, the vision of the Japan Pavilion crystallizes. The resolution of our gaze upon the model progressively sharpens, revealing new challenges at every turn.
Yet, amidst this pursuit, the clock relentlessly ticks away. There’s so much left to do, and time is a fleeting companion... *sweats*
This and That
Progress, Day by Day.
Regular meetings, involving 20 to 30 participants, are conducted several times a month, each focusing on diverse themes such as architecture, operations, exhibitions, virtual experiences, biogas plants, uniforms, and public relations. On a separate occasion, Mr. Irobe, Mr. Watanabe, and I engaged in a lengthy discussion while examining a model.
The discourse deviated from the usual “linear” approach of addressing matters in terms of cost-effectiveness, safety, and reliability. Instead, it took on a more spontaneous, “curvilinear” form, with a free exchange of opinions centered around making the exhibition more enjoyable, understandable, and exciting.
I find these moments particularly enjoyable. As enjoyable as they are, another regular meeting awaits us in just a few days... *sweats*
Thoughts
“Monthly JP pavilion,”
Has Been Published.
Finally, “Monthly JP pavilion,” has been published. Well, I guess for you, the term “finally” might not pack the same punch, right?
As you flip through the pages of our monthly magazine, you’ll get a pretty solid sense of what the Japan Pavilion is all about—that’s the vibe we’re aiming for. So kick back, relax, and dive in without any grand expectations.
Huge shoutout to everyone who pitched in and lent a hand, despite all the curveballs life threw our way! With just one year left, let’s keep pushing forward and make the Japan Pavilion a spot where folks can look back and think, “Hey, I’m glad I was part of that whole Japan Pavilion thing” in, oh, let’s say about a decade from now.
This and That
Full-Scale Mockups
Full-scale mockups crafted from genuine materials are meticulously examined and discussed with the architectural team, covering colors, finishes, and other intricate details.
A heartfelt thank you to everyone at Nikken Sekkei, handling the design, and Shimizu Corporation, leading the construction!
Working alongside these dedicated individuals brings me immense joy, even though we still have a long journey ahead!
Exhibition
Whoosh...
Whoosh...
“What is the length on the tail of the light?”
“It’s 600mm!”
“Could you try stretching it to 700mm?”
“Sure. Incoming 700mm!”
(Wow! It’s really now stretched by 100mm...!)
“Can you soften the outline around the head of the light more?”
“Absolutely. Softer outline incoming!”
(It’s significantly softer now!)
“Can you slow down the movement of the light midway, more syrupy?”
“Syrupy?”
“Yeah, syrupy.”
(...oh?)
Endless adjustments to the shape and movement of the light continue. I truly admire the dedication of the staff who toiled tirelessly, working day and night to prepare for today’s testing. Thank you very much!
Exhibition
Quest for the Perfect Lighting Fixtures.
Today, we’re on a quest for the perfect lighting fixtures to make our exhibition rooms pop in the Japan Pavilion. The specific criteria, including size, brightness, warmth, and the softness of light contours, are being meticulously determined for each space.
We find ourselves pondering over two distinct lighting scenarios: Is it preferable to have strong light illuminating a dark-colored wall, or would a subtler glow on a light-colored wall be more fitting?
Additionally, we contemplate the warmth factor. Is it more inviting to have warm-colored light grace a cold-colored wall, or does the juxtaposition of cold-colored light against a warm-colored wall create a more harmonious ambiance?
As I delve into these considerations, contemplating the interplay of light and space, my thoughts gradually become as elusive as the mist settling over a tranquil landscape.
Architecture
The Site and Mockups Are Impressive and All, But...
Brrr, it’s chilly!
Too cold!!!
Architecture
“Grand Roof (Ring)”
Directly in front of the Japan Pavilion stands the iconic symbol of Expo 2025 Osaka, Kansai – the “Grand Roof (Ring)”! Its sheer enormity is awe-inspiring! Above all, it’s intensely intimidating!
I can’t shake off the imagery of “Wall Maria” from a certain beloved manga. Unfortunately, our Japan Pavilion finds itself positioned on the exterior of this colossal ring, almost like a predestined target for the titans.
This and That
Stepping into a Cab at Shin-Osaka Station...
“Please take me to the Expo Osaka site on Yumeshima.”
“What?”
“To the Expo site, please.”
“Expo?”
“Yes.”
“The Expo isn’t open yet.”
“Yes, I know that, but I need to go.”
“I’m saying the Expo hasn’t started yet.”
Conversely, if the Expo had already commenced, we’d be in a bind. After three rounds of this exchange, I finally moved forward and reached the site. The current view reveals a vague outline of the Japan Pavilion, or maybe not.
It’s hard to articulate, but the foundation seems oddly charming. This might be the first time in my life that I’ve found a foundation to be cute. Perhaps I’m feeling a bit fatigued these days...
This and That
Stepping into a Cab at Shin-Osaka Station...
“Please take me to the Expo Osaka site on Yumeshima.”
“What?”
“To the Expo site, please.”
“Expo?”
“Yes.”
“The Expo isn’t open yet.”
“Yes, I know that, but I need to go.”
“I’m saying the Expo hasn’t started yet.”
Conversely, if the Expo had already commenced, we’d be in a bind. After three rounds of this exchange, I finally moved forward and reached the site. The current view reveals a vague outline of the Japan Pavilion, or maybe not.
It’s hard to articulate, but the foundation seems oddly charming. This might be the first time in my life that I’ve found a foundation to be cute. Perhaps I’m feeling a bit fatigued these days...
Architecture
“Grand Roof (Ring)”
Directly in front of the Japan Pavilion stands the iconic symbol of Expo 2025 Osaka, Kansai – the “Grand Roof (Ring)”! Its sheer enormity is awe-inspiring! Above all, it’s intensely intimidating!
I can’t shake off the imagery of “Wall Maria” from a certain beloved manga. Unfortunately, our Japan Pavilion finds itself positioned on the exterior of this colossal ring, almost like a predestined target for the titans.
Architecture
The Site and Mockups Are Impressive and All, But...
Brrr, it’s chilly!
Too cold!!!
Exhibition
Quest for the Perfect Lighting Fixtures.
Today, we’re on a quest for the perfect lighting fixtures to make our exhibition rooms pop in the Japan Pavilion. The specific criteria, including size, brightness, warmth, and the softness of light contours, are being meticulously determined for each space.
We find ourselves pondering over two distinct lighting scenarios: Is it preferable to have strong light illuminating a dark-colored wall, or would a subtler glow on a light-colored wall be more fitting?
Additionally, we contemplate the warmth factor. Is it more inviting to have warm-colored light grace a cold-colored wall, or does the juxtaposition of cold-colored light against a warm-colored wall create a more harmonious ambiance?
As I delve into these considerations, contemplating the interplay of light and space, my thoughts gradually become as elusive as the mist settling over a tranquil landscape.
Exhibition
Whoosh...
Whoosh...
“What is the length on the tail of the light?”
“It’s 600mm!”
“Could you try stretching it to 700mm?”
“Sure. Incoming 700mm!”
(Wow! It’s really now stretched by 100mm...!)
“Can you soften the outline around the head of the light more?”
“Absolutely. Softer outline incoming!”
(It’s significantly softer now!)
“Can you slow down the movement of the light midway, more syrupy?”
“Syrupy?”
“Yeah, syrupy.”
(...oh?)
Endless adjustments to the shape and movement of the light continue. I truly admire the dedication of the staff who toiled tirelessly, working day and night to prepare for today’s testing. Thank you very much!
This and That
Full-Scale Mockups
Full-scale mockups crafted from genuine materials are meticulously examined and discussed with the architectural team, covering colors, finishes, and other intricate details.
A heartfelt thank you to everyone at Nikken Sekkei, handling the design, and Shimizu Corporation, leading the construction!
Working alongside these dedicated individuals brings me immense joy, even though we still have a long journey ahead!
Thoughts
“Monthly JP pavilion,”
Has Been Published.
Finally, “Monthly JP pavilion,” has been published. Well, I guess for you, the term “finally” might not pack the same punch, right?
As you flip through the pages of our monthly magazine, you’ll get a pretty solid sense of what the Japan Pavilion is all about—that’s the vibe we’re aiming for. So kick back, relax, and dive in without any grand expectations.
Huge shoutout to everyone who pitched in and lent a hand, despite all the curveballs life threw our way! With just one year left, let’s keep pushing forward and make the Japan Pavilion a spot where folks can look back and think, “Hey, I’m glad I was part of that whole Japan Pavilion thing” in, oh, let’s say about a decade from now.
This and That
Progress, Day by Day.
Regular meetings, involving 20 to 30 participants, are conducted several times a month, each focusing on diverse themes such as architecture, operations, exhibitions, virtual experiences, biogas plants, uniforms, and public relations. On a separate occasion, Mr. Irobe, Mr. Watanabe, and I engaged in a lengthy discussion while examining a model.
The discourse deviated from the usual “linear” approach of addressing matters in terms of cost-effectiveness, safety, and reliability. Instead, it took on a more spontaneous, “curvilinear” form, with a free exchange of opinions centered around making the exhibition more enjoyable, understandable, and exciting.
I find these moments particularly enjoyable. As enjoyable as they are, another regular meeting awaits us in just a few days... *sweats*
This and That
Caring About the Details.
In our quest for perfection, drawings and computer renders alone don’t always suffice. That’s why we rely on spatial models, meticulously examining every detail.
Our process is a constant cycle―create a model, test its limits, refine it, then start anew. This iterative journey is both methodical and crucial. With each reincarnation of the model, the vision of the Japan Pavilion crystallizes. The resolution of our gaze upon the model progressively sharpens, revealing new challenges at every turn.
Yet, amidst this pursuit, the clock relentlessly ticks away. There’s so much left to do, and time is a fleeting companion... *sweats*
This and That
Same White Shirt, Same Black Pants, and Jacket.
This simple wardrobe choice has spared me the daily dilemma of what to wear each morning for almost two decades. This habit not only minimizes the burden on my brain but also allocates all my mental space to the realm of design.
Garments follow a systematic routine, always starting from the left and replenished on the right after a trip to the dry cleaners. This meticulous cycle ensures even wear and tear, maintaining the longevity of my wardrobe. In this manner, my clothes gracefully follow a cycle.
Ugh, thanks to the Japan Pavilion, I find myself unexpectedly pondering the nuances of seemingly insignificant cycles around me...
Thoughts
Welcome to the Second Issue of Our Monthly Magazine, Monthly JP Pavilion!
This month’s edition is packed with engaging content, but let’s dive into the excitement surrounding the unveiling of the JUNKAN Museum...a moment I’ve been eagerly anticipating.
Now, let’s take a moment to appreciate the enchanting rear view of Suiryu, the water dragon, captured in our latest image.
Isn't it captivating?
It’s funny how seeing Suiryu’s back view brought back memories of the time I was stunned by the cover on the access door of the Merlion in Singapore.
Beyond the artwork itself, I find the subtle incline of the platform where Suiryu resides quite appealing.
If it were flat, we wouldn't get that same sense of “circulation” and “pulse” that are central to our exhibit, would we?
Moreover, there’s a noticeable fondness for Suiryu evident in Ms. Komatsu’s choice to address the dragon with the honorific “san.”
Yet, it’s amusing to note that when affectionately referring to Suiryu as MYAKU-MYAKU, she opts for the more casual “kun” honorific (laughs).
Exhibition
A Crowd of Slowly Flowing Plastic Bottles.
A crowd of plastic bottles moves slowly along a conveyor belt, capturing the attention of everyone involved in the project.
While the plastic bottles are certainly eye-catching, the real star here is the conveyor belt tirelessly working beneath them.
This demonstration is all about testing the belt’s performance under the weight of the bottles, and so far, it’s passing with flying colors.
We eagerly anticipate what else will circulate at the show!
(Hint: Unfortunately, it won’t be sushi.)
Exhibition
Unveiling the Mystery of the Intriguing Poles.
Fascinatingly, long, thin poles are meticulously lined up on the framework, shrouded in an air of mystery.
With delicate hands, we peel away the packing material, revealing a disc-like object perched on each pole.
Viewed from below, they look like this.
Directly beneath the disk lies a metal fitting, facilitating angle adjustments, while adjacent cables enable individual electrical control.
It’s quite the job to adjust each cable just right, but thinking about having to deal with nearly twenty times as many for the actual exhibition? Whew, talk about sweating over it!
Thoughts
Welcome to the Third Issue of Monthly JP Pavilion!
Mr. Yanagihara’s insights on Japanese food and fermentation was fascinating.
He talked about how Japanese cuisine values the original taste of ingredients, using “subtraction” to create complexity and depth, as opposed to the Western approach of “addition.” This philosophy of balance and harmony, rather than impact, is also seen in Japanese design and manufacturing.
As we plan the Japan Pavilion, I keep reminding myself not to overload it with information or lose the essential message while striving to make it easily understandable and impactful. Just a heads-up: don’t read this article on an empty stomach. The photos are seriously mouth-watering!
New
This and That
This Is My First Business Trip to Paris in Months.
As I’ve been moving around the city for meetings, I’ve noticed preparations for the upcoming Olympic Games in various places.There are spectator seats set up on bridges spanning the Seine River, and Place de la Concorde has been converted into a stadium.
With the Olympics opening in just over a month, Paris itself is transforming into an Olympic venue, and it feels quite magical.
Thinking back to my involvement in setting up the Cauldron for the Tokyo Olympics three years ago, I can’t believe how quickly time has flown. I’m eagerly anticipating seeing the new torch stand design.